In “The Accent Debacle” novelist and teacher, Richard Kumengisa shares his experience of prejudice as an African in Florida. Having fled his native land due to a raging conflict in the English-speaking zones of Cameroon, Kumengisa spent his time with family and also busied himself with memoir writing classes amongst many other activities. When Covid-19 hit, his classes went virtual, and he continued his lessons in the sanctuary of his family’s home. Little did we know he would succumb to the virus in May 2021.
To mark the second anniversary of his passing, we are delighted to publish his story which he enthusiastically shared with us in February 2021.
Cardinal Tumi’s Last Testimony
On January 23, 2021, I arrived at my home village, Kikaikelaki*, for my traditional annual visit. On the way, I was stopped and questioned by a contingent of fully armed non-state fighters, who asked who I was and where I was going. I introduced myself and I invited them to meet me later in my house.
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A Review of When the Sun turns Red: Women’s Tears from a Land in Despair Yaah Maggie Kilo, PhD In the tradition of outpouring of emotions through all the expressions
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A Poetic Book Review By Nkam Giftus You dig deep into the crevices of time, Excavating long-lost tales of our land – Your pen knows neither rest nor relief, For
Read moreThe Radio and Other Stories: A Review
G is a young man from Cameroon, who leaves his distant village in the northwestern part of Cameroon to do a PhD in a small Bavarian town in Germany. G’s crossing soon turns into a profound ontological interaction with small things, from shoe polish to a radio ‘helplessly pressed to the corner by a mound of books’.
Read moreTranslocation narratives, travelogues and memoir in “The Radio”
As a voracious reader interacting with authors and the contexts of their works, you will certainly agree that it is a literary exercise in futility to attempt to completely vanish a writer from their works in an attempt to achieve objectivity. Like a biological child that bears its parents’ DNA as permanent mark of identity and relationship to its source, a writer’s output bears prints of their convictions, elements of their lived or be-lived experiences, and characteristics of their persuasions on a given subject matter. This is the truth that I’m confronted with when I finally get to read Gil Ndi-Shang’s recently published short story anthology, “The Radio and Other Stories”.
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